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The Broadway Review: ‘Lempicka’ is a seductive unpolished musical about a groundbreaking Polish painter

Co-writers Carson Kreitzer and Matt Gould color outside the traditional lines, but are backed by enough talent to render a captivating portrait. 

(L-R Amber Iman and Eden Espinosa in “Lempicka” on Broadway, 2024 (Credit: Matthew Murphy and Evan Zimmerman)

Good morning, and welcome to Broadway News’ Broadway Review by Brittani Samuel — our overview of reactions, recommendations and information tied to last night’s Broadway opening of “Lempicka.” 

RUNDOWN

Eden Espinosa (center) and the company of “Lempicka” on Broadway, 2024 (Credit: Matthew Murphy and Evan Zimmerman)

Musicalizing the formative years of an icon is easy fodder for Broadway aspirants. Most often it involves a character that’s easy to root for who embarks on a journey with a clear moral arc. “Lempicka” enlists a more nuanced form, the Künstlerroman, a narrative about an artist's maturation. The new musical paints the life of Polish art deco pioneer Tamara de Lempicka (portrayed here by Eden Espinosa). Co-writers Carson Kreitzer and Matt Gould’s voluptuous new musical weaves together grandiose ideals about what it means to be an artist, what it means to be a woman and what it means to be at war with intimacies about queer love and female ambition. Ultimately, they scrape together a delicious, delirious portrait of this largely unknown juggernaut.

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