Good morning, and welcome to Broadway News’ Broadway Review by Brittani Samuel — our overview of reactions, recommendations and information tied to last night’s Broadway opening of “Death Becomes Her.”
RUNDOWN
There are multiple women on Broadway invested in youth. Norma Desmond broods over it. Mama Rose won’t let go of it. But Madeline Ashton and Helen Sharp dabble in the darker arts. Both characters take center stage in director-choreographer Christopher Gattelli’s “Death Becomes Her,” an adaption of the 1992 morbid comedy film. It’s a feat of resplendence — a magnetic blend of indulgent design and relentless hilarity, anchored by two glamorous goofs.
