Marketing Behind the stop-in-your-tracks ad campaign of Broadway’s ‘Dog Day Afternoon’ , and Darryn King
Podcast Excavating the musicality of August Wilson in ‘Joe Turner’s Come and Gone’ , and Ruthie Fierberg
Podcast How David Lindsay-Abaire renders the ‘committee play’ uncomfortably and refreshingly real in ‘The Balusters’ , and Ruthie Fierberg
Closer Look Ellenore Scott on choreographing ‘Ragtime’ and ‘Titanique’ while becoming a first-time mother , and Ashley Lee
Closer Look Joe Mantello’s take on ‘Death of a Salesman’ isn’t just a revival — it’s a return to Miller’s intent , and Ruthie Fierberg
Closer Look How co-directors Zhailon Levingston and Bill Rauch merged musical theater and ballroom to create a ‘third event’ with ‘Cats’ , and Ruthie Fierberg
Podcast Author Gina Gionfriddo, director Trip Cullman and the cast of ‘Becky Shaw’ on the questions and lessons of the savage comedy , and Ruthie Fierberg
Closer Look Debbie Allen, ‘Grey’s Anatomy’ executive producer and ‘Joe Turner’ director, on how she does it all , and Ruthie Fierberg
Closer Look Lear deBessonet defines her expansive — and ambitious — vision for Lincoln Center Theater , and Naveen Kumar
