REVIEWS
Review: ‘Jagged Little Pill’ overflows with real-world storylines
In “You Learn,” the song that concludes the new musical “Jagged Little Pill” on a note of hard-won, almost downbeat uplift, a lyric from Alanis Morissette recommends the advantages of “biting off more than...
Review: An inventive ‘Christmas Carol’ tugs at the heartstrings
If you don’t respond with a moist eye and a swelling heart to “A Christmas Carol,” Charles Dickens’ classic tale of a miser’s spiritual redemption, I wouldn’t go so far as to call you...
Review: The Tina Turner musical can’t match its sublime star
If a single voice, or a single performance, could send a Broadway musical soaring to greatness, “Tina: The Tina Turner Musical” would handily qualify as one of the best musicals to emerge in recent...
Review: Evoking nostalgia with an eye to the future in ‘American Utopia’
“We’re on a road to nowhere,” David Byrne sings in the final encore of his Broadway concert, “American Utopia,” at the Hudson Theatre. Can we get an encore of that encore, please?
While the thrumming,...
Review: A return to gloom in ‘The Sound Inside’
Pop quiz question: Can you name a single writer darker than Dostoevsky?
The options are few, but I hereby nominate Adam Rapp, the playwright and novelist whose vision is so unrelievedly grim he makes that...
Review: ‘The Lightning Thief’ inventively reveals the demigods among us
You think your dad (or mom) is a deadbeat? Consider the plight of the young characters in “The Lightning Thief: The Percy Jackson Musical,” a thoroughly endearing family-friendly musical at the Longacre Theatre. Each...
Review: Comedy trumps romanticism in this ‘Rose Tattoo’
As Serafina Delle Rose, a grieving Italian-American widow struggling to open herself to life again in Tennessee Williams’s “The Rose Tattoo,” Marisa Tomei bares just about all, emotionally speaking. Sorrow hollows out Serafina’s heart...