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Review: ‘Travesties’ dazzles with zany wit

“Da, da!” when translated as “Yes, yes!” is a fittingly celebratory salutation to greet the sparkling and incisive revival of Tom Stoppard’s “Travesties” which has arrived at the American Airlines Theatre after shutting up shop following a successful run on London’s West End.

The cast of 'Travesties.' (Photo: Joan Marcus)

“Da, da!” when translated as “Yes, yes!” is a fittingly celebratory salutation to greet the sparkling and incisive revival of Tom Stoppard’s “Travesties” which has arrived at the American Airlines Theatre after shutting up shop following a successful run on London’s West End. Now, with the leading players intact, it is Broadway’s turn for a share of spring madness — Stoppard style! Aren’t we lucky?

Anyone pondering the wisdom of reviving this play in the current moment can simply hang on as we count the ways that a piece Stoppard wrote as a dazzling wunderkind still in his thirties continues to illuminate our untethered times with whiplash accuracy.

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