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‘Eureka Day’ satire takes well-honed jabs at liberalism

In his Broadway debut, Jonathan Spector delivers a funny, though imperfect, lampoon of anti-vaccine parents in the California Bay Area during a mumps outbreak. 

(L-R) Jessica Hecht and Amber Gray in “Eureka Day” on Broadway, 2024 (Credit: Jeremy Daniel)

Good morning, and welcome to Broadway News’ Broadway Review — our overview of reactions, recommendations and information tied to last night’s Broadway opening of “Eureka Day.” Brittani Samuel is off, so Gloria Oladipo steps in for today’s edition. 

RUNDOWN 

(L-R) Bill Irwin, Thomas Middleditch, Amber Gray, Jessica Hecht and Chelsea Yakura-Kurtz in “Eureka Day” on Broadway, 2024 (Credit: Jeremy Daniel)

Thank God for comedies that are actually funny. “Eureka Day,” a Broadway debut from playwright Jonathan Spector, is an uproarious satire set at the eponymously named primary school about liberal, anti-vaxxer parents, a demographic receiving increased scrutiny following the Covid-19 pandemic. 

Excellently directed by Anna D. Shapiro, “Eureka Day” remains well-paced, hilarious and surprisingly undated, despite the avalanche of plays attempting to dissect American culture wars. Shapiro has a natural eye for chaos, never overwhelming audiences as tensions flare; the play could easily veer off course in the hands of a less capable director, but finds itself buoyed by Shapiro’s craft. Actor Jessica Hecht is a special delight as long-time Eureka Day executive committee member Suzanne, a delicious addition in an already well-rounded cast. Hecht brings the perfect dash of passive-aggression and racist double-speak as she attempts to exert control. 

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