Bob Mackie on bringing Cher’s fashion to the stage
“The Cher Show” recreates Bob Mackie’s decades-long collaboration with Cher in two ways.
First, there’s the parade of Cher’s eye-popping looks, designed by Mackie...
‘Ain’t Too Proud’s’ Des McAnuff and Sergio Trujillo on crafting jukebox musicals
In taking on the story of the Temptations, choreographer Sergio Trujillo knew he wanted the dance moves to feel new, with a hint of...
Choreographer Warren Carlyle on how ‘Kiss Me, Kate’ moves
In “Bianca,” one of the many dance-centric numbers in “Kiss Me, Kate,” Corbin Bleu zips up and down the staircase, tapping every surface until...
Heidi Schreck on bringing the ‘Constitution’ to Broadway
For the past few years, Heidi Schreck has been sharing personal stories about her family, as seen through the lens of the U.S. Constitution,...
How ‘Beetlejuice’ composer Eddie Perfect booked two Broadway shows in a season
Composer Eddie Perfect had been taking meetings in New York for close to two years before he got his big Broadway breakthrough.
Thanks to...
How ‘The Ferryman’ sprang to life
Jez Butterworth did not set out to write “The Ferryman.”
Rather, as is the case with many of his plays, inspiration took hold and...
Director George C. Wolfe on finding the gore and guts of ‘Gary’
In “Gary: A Sequel to Titus Andronicus,” the stage is filled with mountains of dummy corpses that are alternatively used as playthings, stepping stones...