Charles Isherwood

Review

Review: The Tina Turner musical can’t match its sublime star

,   and  Charles Isherwood

Review

Review: Evoking nostalgia with an eye to the future in ‘American Utopia’

,   and  Charles Isherwood

Review

Review: A return to gloom in ‘The Sound Inside’

,   and  Charles Isherwood

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Review: ‘The Lightning Thief’ inventively reveals the demigods among us

,   and  Charles Isherwood

Review

Review: Comedy trumps romanticism in this ‘Rose Tattoo’

,   and  Charles Isherwood

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Review: In ‘Linda Vista,’ one man’s spiral creates a tornado

,   and  Charles Isherwood

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Review: ‘Slave Play’ questions more than it answers

,   and  Charles Isherwood

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Review: ‘Freestyle Love Supreme’ expertly treads the tightrope of improv

,   and  Charles Isherwood

Review

Review: LBJ receives a lengthy reprise in ‘The Great Society’

,   and  Charles Isherwood

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Review: Tracking a moving center in ‘The Height of the Storm’

,   and  Charles Isherwood

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Review: Derren Brown brings a sense of wonder to Broadway

,   and  Charles Isherwood

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Review: A love triangle turns inward in ‘Betrayal’

,   and  Charles Isherwood

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Review: Life, death and the banalities in between in ‘Sea Wall/A Life’

,   and  Charles Isherwood

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Review: ‘Moulin Rouge!’ hits Broadway with a panache of pop

,   and  Charles Isherwood

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Review: A blending of the prosaic and the poetic in ‘Frankie and Johnny’

,   and  Charles Isherwood

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Review: In ‘Beetlejuice,’ death comes to life

,   and  Charles Isherwood