Review Review: Jamie Lloyd’s austere direction exposes modern cracks in ‘A Doll’s House’ , and Brittani Samuel
Review Review: ‘The Collaboration’ is an unfinished portrait of the artist as a young and old man , and Brittani Samuel
Review Review: Stephen McKinley Henderson's expertise is on full display in 'Between Riverside and Crazy' , and Brittani Samuel
Review Flat direction threatens to kill Adrienne Kennedy’s masterful “Ohio State Murders” , and Brittani Samuel
Review In Broadway’s ‘A Beautiful Noise’ the music is more interesting than the man , and Brittani Samuel
Review In ‘The Old Man & the Pool,’ Mike Birbiglia uses backstrokes as a method of moving forward , and Brittani Samuel
Review LaTanya Richardson Jackson’s sharp direction keeps ‘The Piano Lesson’ mostly in tune , and Brittani Samuel
